Front Matter

The BeatTips Manual
6th EDITION
THE ART OF BEATMAKING, THE HIP HOP/RAP MUSIC TRADITION, AND THE COMMON COMPOSER


The BeatTips Manual: The Art of Beatmaking, the Hip Hop/Rap Music Tradition, and the Common Composer
By Amir Said
Copyright © 2013 by Amir Said.
A Superchamp Books Sixth Paperback Edition
All rights reserved.
No part of this book may be reproduced in any form by any electronic or mechanical means, including information storage and retrieval systems, without the expressed written permission of the publisher, except by a reviewer, who may quote brief passages in a review. Published by Superchamp Books, a Division of Superchamp, Inc. P.O. Box 20274, Brooklyn, New York 11202-0274; (347) 263-7865.
www.beattips.com; Twitter: @BeatTipsManual; Facebook: BeatTips
BeatTips™ is a product and trademark of Superchamp, Inc. BeatTip™ is a trademark of Superchamp, Inc.
Assistant Editor: Amir Ali Said
Photographs:
Front Cover photo by Amir Said Copyright © 2009, 2013 Amir Said Interviewees photos by Amir Said Copyright © 2006-2009 Amir Said
Back Cover photo of author by Amir Ali Said © 2009, 2013 Amir Ali Said Cover, Design, and Layout by Amir Said Copyright © 2013 Amir Said
Print History:
June 2013: First printing. July 2013: Second printing. December 2013: Third Printing. February 2015: Fourth Printing.
The BeatTips Manual: Beatmaking, the Hip Hop/Rap Music Tradition, and the Common Composer / by Amir Said
- Beatmaking 2. Hip Hop/Rap—Production 3. Hip Hop—Histroy 4. Rap Music—Performance
Practice 5. Rap Music—History 6. Hip Hop—Producers 7. Music—Technology 8. Music—Popular
- Music—Social Aspects 10. African Americans—Music—History and Criticism 11. Popular Culture—United States 12. Music History I. Title
Library of Congress Control Number: 2013943132 ISBN 978-0-9893986-0-2
For my son, Amir Ali Said.
Amir, nobody can be a better you than you. (“When the door opens for opportunity, walk through.”) Insha’Allah…Al-Humdullilah.
DISCLAIMER: This book is designed to provide information on understanding, creating, producing, marketing, promoting, distributing, and selling hip hop/rap beats and music. It is understood that the publisher and the author are not engaged in rendering legal, accounting, or other professional services of the like. If legal or other expert assistance is required, the services of a competent and qualified professional should be sought. The author and Superchamp Books shall have neither liability nor responsibility to any person or entity with respect to any loss or damage caused, or alleged to have been caused, directly or indirectly, by the information contained in this book.
Table of Contents
| FOREWORD | xvii |
| PREFACE | xix |
| INTRODUCTION | 1 |
| PART 1: HISTORY | 13 |
| 1 BACKDROP TO HIP HOP<br>The Story of the South Bronx Disaster | 15 |
| 2 MOVE, ROCK, DANCE, SUCKA’<br>The Coalescence of Hip Hop Culture and the Birth of Hip Hop/Rap Music | 30 |
| 3 LOOKING FOR THE PERFECT BEAT<br>The Birth and Rise of the Hip Hop/Rap Beatmaking Tradition: Seven Periods of Distinct Development | 60 |
| PART 2: TECHNICAL BEATDOWN—INSTRUCTION | 87 |
| 4 GEAR AND SOUND FUNDAMENTALS<br>Understanding Production Setups, EMPIs, “Sounds,” and Other Prerequisite Factors | 89 |
| 5 DRUM SOUNDS AND DRUM PROGRAMMING<br>The Nature of Drum Sounds and Drum Programming in Hip Hop/Rap Music | 115 |
| 6 HOOK A BEAT UP AND CONVERT IT INTO HIP HOP FORM<br>Composition, Programming, and Arrangement—Coming up with the Ingredients and Putting them All Together | 144 |
| 7 THE ART OF SAMPLING | 193 |
| 8 PRACTICE MAKES BETTER | 234 |
| PART 3: MUSIC TRADITION, CULTURE, AND THEORY | 261 |
| 9 FLASH BATTLED MOZART AT THE FEVER, AND MOZART GOT BURNED<br>The Hip Hop/Rap Music and Beatmaking Traditions, Its Theory, and How It Does and Doesn’t Jive with the Western Classical Music Tradition and Its Theory | 264 |
| PART 4: THE BUSINESS OF BEATS | 311 |
| 10 KNOW WHERE YOU STAND | 313 |
| 11 IT’S YOUR’S; NOTHIN’ TO IT BUT TO DO IT<br>Know the Angles, Because You Have the Control | 335 |
| 12 THE “BUSINESS” OF BUSINESS | 359 |
| PART 5: THE INTERVIEWS | 385 |
| Marley Marl | 387 |
| Buckwild | 401 |
| D.R. Period | 417 |
| DJ Toomp | 423 |
| DJ Premier | 439 |
| 9th Wonder | 447 |
| AFTERWORD | 457 |
| EPILOGUE | 467 |
| APPENDIX | 477 |
| GLOSSARY | 492 |
| INDEX | 496 |